What is the best scale to play over a CMaj7? Most people would say the C Major Scale, but George Russell’s Lydian Chromatic Concept says otherwise. Here are some of the most frequently asked questions about the Lydian Chromatic Concept. This page can be read either as one continuous article from . Jazz Modes – George Russell’s Lydian Chromatic Concept with Melodic Minor Scales from the Mixolydian (Sol), Lydian (Fa) and Locrian (Ti) Positions played.

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Lydian Chromatic Concept

The Lydian Chromatic Concept does not prefer the Lydian scale because it is “more closely aligned chrlmatic the harmonic series than the major scale”. Composer, theoretician, band leader, George Russell, first published the Lydian Chromatic Concept inand, for almost 50 years, worked on further refining it.

Which again, sounded believable at first glance, but doesn’t make much sense as a theory upon further speculation. But one thing to keep in mind, if Miles Davis, Eric Dolphy and and other jazz greats referenced this book AFTER they had established themselves, kid yourself not, this is jazz on steroids in the 21st century.

The eighth tone in that series is a augmented root. From there on, it just gets a lot more complicated. Tonal gravity is the heart of the Lydian Chromatic Concept. To this end, the fifth then establishes itself as the basic unit of tonal gravity whereby.

I want to come back because everywhere you’ll want to be, George Russell’s music will be heard. Explore the Home Gift Guide. If the chord is Minor, there is no simple geeorge rule.

The answer to the question about the first word on page is “Ondine. So you have a choice of 22 different scales you can use to improvise over this one chord.


Lydian Chromatic Concept of Tonal Organization – Wikipedia

Artists most often describe the process of creativity in transparent and intangible terms. Simply put, the basic building block of tonal gravity is the interval of the perfect fifth. Like JRR Tolkien, he has gone above and beyond in this book to completely invent his own proprietary language that has never been used before in the history of music, and he does so without abruptly and with out offering any definition for the new terms he coins at rates sometimes approaching five to the sentence.

Amazon Advertising Find, attract, and engage customers. So nothing in his justification of Lydian refers to any higher harmonics than the interval of a perfect fifth. I think you need a good knowledge of Western musical theory to make the most of this; but if you do, this could change your musical mind quite substantially.

There are currently a small number of instructors in the United States, Europe and Japan who are formally certified by George Russell to teach the Concept. Most people, since the creation of tonal music a few centuries ago, would answer: Russell focuses on the Lydian mode because it can be built with fifths.

There are 3 states of tonal gravity: Creative Aspects and Practice. That said, this theory ruszell be used to create tonal, atonal, and pantonal music. Sure, 5ths are incredibly important in dominant resolution, but not really in construction of the cords themselves for notes that sound simultaneously.

Helps also to understand links between classical and contemporary music.

Chromatc C as the Lydian Tonic yields the following note scale with enharmonic respellings: What would be the most natural scale to play over a CMaj7? Would you like to tell us about a lower price?


Unlike any other theory of music, Mr. Years given are for the recording snot first release, unless stated otherwise. Post Your Answer Discard By clicking “Post Your Answer”, you acknowledge that you have read our updated terms of serviceprivacy policy and cookie policyand that your continued use of the website is subject to these policies. Most students of The Concept tend to be composers, improvisers, and people interested in the analysis of already existing musical compositions.

Jul 6 ’15 at 7: Most — if not all — music theoretical systems have chosen to ignore the inclusion of this key internal element. For a novice like myself it actually comes in handy in understanding where the Overtone scale originated from that is mentioned in Ted Greene’s Single Note Soloing Vol one book.

So if a Perfect 5th is the strongest non-root interval, we can build up a harmonically strong scale using intervals geeorge Perfect 5ths.

For instance, to construct a C Lydian scale one could list the russel seven tones on the circle of fifths starting with C, the desired Lydian Tonic. The art and science of tonal gravity Fourth Second printing, corrected, ed. Pages with related products. I don’t have the book it costs a fortune on Amazonbut from what I know it talks about how would the music be, if it was built around the Lydian mode, instead of the Major scale.