Disidentifications: Queers of Color and the Performance of Politics. By José Esteban Muñoz. Cultural Studies of the Americas, Volume 2. Minneapolis: University. Disidentifications has ratings and 20 reviews. Zeo said: A few weeks into their relationship, Sean proposed marriage to Pedro and Pedro accepted. In. An important new perspective on the ways outsiders negotiate mainstream culture. There is more to identity than identifying with one’s culture or standing solidly.

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Common terms and phrases activist aesthetic African-American ambivalence American artist Asian Basquiat black male body burden of liveness C. Hall – – Hypatia: Search Site only in current section.

Ideas Collection Spotlight Shortlist Performance Art Theory Recommended readings on the development of contemporary performance art and its theoretical underpinnings. Request removal from index. pf

Quees of Minnesota Press- Social Science – pages. Built on the Johns Hopkins University Campus. For him, the discourses of women of color have helped to build up a politics of disidentification.

I have found Munyoz’s work intellectually stimulating and would recommend this to people in search of conceptual tools for thinking about the intersections of race, sexuality, and performance. Nowhere does the ambivalence of perfkrmance minority culture toward the mainstream show disidentidications more strongly than in the arts.

History of Western Philosophy. Performing Hybridity A kaleidoscopic consideration of transnational culture and performance. The chapter on Pedro Zamora from the Real World is particularly masterful.


Caleb Green rated it it was amazing Apr 24, Reading Richard Fung’s Queer Hybridity. Lists with This Book. Thanks for telling us about the problem. Temporality in Queer Theory and Continental Philosophy.

Though Munyoz uqeers have a clear idea in mind for the work he wants disidentification to do, he develops ot through investigating the way disidentification works in the cultural productions of a handful of avant-garde queer artists of color. Difficulty and Emotion in Contemporary Art.

Selected pages Title Page. Disidentifications is also something of disicentifications performance in its own right, an attempt to fashion a queer world by working on, with, and against dominant ideology. He seeks a theory that will help him trace the genealogy of marginal sites and locate an alternative space for queers of color.

Aug 12, ian rated it really liked it. Queers of Color and the Performance of Politics. Jan 22, Kate O’connor rated it really liked it. Jennifer Doyle – – Durham: Feb 01, Gisela rated it it was amazing Shelves: In “Photographies of Mourning: Thea rated it it was amazing Jan 25, A Journal of Feminist Philosophy 20 1: Open Preview See a Problem?

Two chapters each are included in the first two sections and four in the last. University perrformance Minnesota Press Coming soon.

Disidentifications: Queers of Color and the Performance of Politics by José Esteban Muñoz

Oct 14, Scott Neigh added it. Lisa Weems – – Studies in Philosophy and Education 29 6: Account Options Sign in. Rights statements In Copyright. He can be slow in getting to the point in some of these essays, but when he does it is usually profound.


New Conversations in Feminist Disability Studies: In lieu of an abstract, here is a brief excerpt of the content: I am equally in awe of the ways in which queer children navigate a homophobic public sphere that would rather they did not exist. Feminism, Philosophy, and Borders.

Race, Pop, and Basquiat. He places these two concepts as “central to a comprehension of the inner textual and collr social and political work that the texts under consideration do” Cultural Studies of the Americas, Volume 2.

This book epitomizes my problems with academia.

Disidentifications: Queers of Color and the Performance of Politics

Such an important, compassionate, well written book. Contact Contact Us Help. Disidentifications beautifully describes transformative performances of sexuality and race in ways that reverberate dramatically, further transforming the conditions of possibility for those who encounter the text, its world of pleasures, images, performmance analyses.

Disidentification as a Practice of Freedom. Vaginal Creme Davis’s Terrorist Drag.